With its striking aesthetics and sleek, avant-garde design, the Grande Seconde has been celebrating the magic of time in its most infinitesimal fractions since the 18th century. This providential model, a creation from the Manufacture Jaquet Droz, is unanimously recognized as one from the most astonishing timepieces in watchmaking background.
Available in several jewelry versions and reinterpreted within the SW version, the Grande Seconde has always been presented in a situation of precious metal or ceramic. Currently, this magnificent view is ushering in yet yet another innovation: it has been produced of steel, a material suggesting strength, nobility and simplicity.
True to its avant-garde spirit, Jaquet Droz has taken a whole new approach for the design with the Grande Seconde, using an exclusive process to obtain two new models featuring all-black dials. Applied to watchmaking for the very very first time, this process involves crafting all from the dial components from solid metal, then dipping them in a chemical bath to obtain a perfect black coating. This extremely painstaking operation brings out the beauty from the indicators, which can have a fine-brushed finish, creating a special interplay of light and textures.
For its third model, Jaquet Droz has given the Grande Seconde Quantieme a look of fantastic purity with a silvery-white dial. The traditional expertise used to apply the ring to the dial is the hallmark in the Manufacture.
On each of the three versions, the date is indicated by a hand positioned discreetly at six o'clock. Its elegantly tapered shape complements the distinctive look of the Roman and Arabic numerals, as well as the equilibrium of the graphic design, which has not changed in three hundred years. Perfectly proportioned, the Grande Seconde Quantieme brings about an astonishing encounter between materials and light as the gleam with the metal and chromatic uniformity of your dial engage in stunningly subtle dialogue. True connoisseurs of Haute Horlogerie will instantly recognize these historic circular shapes, reinterpreted here with only a single objective in mind: to express the spirit of modernity.
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